Dirty Bomb – Preview

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Dirty Bomb is the latest effort from Splash Damage. The PC aficionado out there might recognise the name, but for everyone else here’s a little history. Fourteen years ago a group of online game modders became their own company and caught the attention of Activision and iD after creating maps for games like Return to Castle Wolfenstein and Counter-Strike. The company then ended up working for many publishers, like iD, creating multiplayer maps for Doom 3 and Wolfenstein: Enemy Territory, working on the multiplayer elements of other games as well as making their own games. There have been some lows, BRINK being the most high profile, but now Splash Damage are back making games for themselves and doing what they do best – Online multiplayer gaming.

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So now we have Dirty Bomb. Set in a futuristic capital called New London, mercenaries and private militias are rulers of all. New London is empty after a dirty bomb was blown up over it. Now people are coming back to loot this city and get money. Those people are of course you and your employers leading this online first person shooter to pit teams against each other with the focus on objectives, mostly attack and defence. We got to play a small beta in actual London and tried two game modes in local online play.

The first game mode we played was a control-based game. The defending team had to stop the attacking getting through a wall and then, once they failed at that, they had to stop the attacking team from blowing up some containers. This was set in a pretty nicely designed map with some good open and constrictive flash point areas.  Secondly we played an objective match in New Camden where we repaired an armored vehicle just to go 500 yards to a medical centre and steal medicine.

I’m probably the wrong person to preview this though as, despite my cynical sarcasm, I’m not someone that regularly enjoys team FPS games and my lack of a PC really prevents me from playing them. I know and watch many of them though and when you see CSGO, Team Fortress 2 and many other online game modes of other games like Battlefield, you have to wonder what the motivation is to break in to the market, or split it in your favour.

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However, I was surprised how easily I got in to the team aesthetic with four people on my team from various European news outlets. So whilst English wasn’t the first language of the team, we all bought in to the communication and the organisation. One reason was because you quickly realised that you needed to in order to accomplish your team goals. But the main reason was that the game made it really easy to get in to, especially for a fairly uneducated, crap player like myself. It is incredibly fast paced and there is quite a solid feeling of achievement for succeeding as a tema, and being the best on your team.

I have no muscle memory of WASD or clouded conceptions of these types of games. So coming in to it from a complete n00b standpoint has made me realise how clean and approachable the game was. Everything in the game was smooth and worked as and when you wanted it to work. From special tools to weapon switching and changing character, everything makes sense and does so without a large learning curve or an effort to buy in to the fiction.

Your loadout isn’t limited to the guns either. You get to choose three different characters, all of which have different classes and ability benefits to your team. And as you die you can respawn as any of them. There are big tank units, medics, scouts and engineers. Engineers are essential for the objective parts as they can quickly arm and disarm bombs and repair mechanical things quicker than anyone else and I spent the most time as this class. They seemed to be the most useful for the game types we were playing, and weren’t too slow or lacking in the firepower.

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The thing is that Splash Damage knows what they’re doing in creating maps. They evocative sense of tradition and arguably tourist-clichéd London is ever present, the design is great to create some balanced and enjoyable team play and works very well in getting you playing. The criticisms I have though is how needed this is. Whilst the game has its own take on the genre, it is almost scared to commit itself to having its own identity, which is understandable given the reception of BRINK. There’s a glut at the moment of both old and new team based online games. Evolve is discovering that it’s hard to move the audience across from what they know and have invested in. The game also has some micro-transactions, which can translate as pay-to-win. The game is officially free-to-win with free characters (mercs) that rotate but there are ones that you can pay for with in game or real currency. The packs that you see in Battlefield/CoD/CSGO/et. al, which Dirty Bomb calls Cases, are also available via contracts in game (so challenges) or by money, along with a Merc starter pack you can get during the Beta. So the micro transaction option is there, but not necessary.

Dirty Bomb so far is an enjoyable game and does everything right and well. But it’s not a departure enough yet to capture a new audience or steal them from other games. It doesn’t really have enough confidence in itself yet to compete. But it will, and if it gets enough traction, it could do good things. It’s certainly on the right path. It is tongue in cheek with its humour and design, it’s visually opulent enough to make your wonder where everything actually is in regards to current real London and who doesn’t love a casual mention of Wheaton’s Law in their trailer? But most of all, it plays well and that’s the most important thing.

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Christopher Brookmyre’s Bedlam – Let’s Play

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Yesterday, we previewed Christopher Brookmyre’s Bedlam, the early access Steam game by author Christopher Brookmyre and RedBedlam. Today we bring you something a little extra.

Sean has recorded a whole first level play through of Bedlam on his Mac… That’s right, Mac. So regardless of your computing choice, you can play!  There are two levels in the early access and there will be more coming so keep checking back on it. It’s currently available on Steam for £12.99.

For those who don’t know what it is, Bedlam is a independently produced UK game involving several generations of first person shooter inspirations. It’s funny, great to play and… Well we won’t spoil the entire video for you. Suffice to say that the video does contain some colourful language from the story. So people, you have been warned, this video is not safe for work.

If you enjoy this, Sean will also record the second level too, which you’ll see a glimpse of at the end of the video.

So settle back and relax. It’s time to enjoy Bedlam.

P.S. Sean takes no responsibility in how bad he is at playing video games. Feel free to comment and tell him so.

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Christopher Brookmyre’s Bedlam – Preview

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I had heard about Christopher Brookmyre’s Bedlam before I went to Gamescom. I am a writer, I write and as such I end up following the printed prose form and its news. So to hear that a book and a game had been created by the Scottish author, I was naturally intrigued. I’d also been hankering for something for a while. I wanted a game that was like Quake. I’ve been missing the fast moving, gameplay driven first person shooters that used to occupy so much of my youth in the mid to late 90s. I know there’s Quake Live but I’m sure you can guess what I mean.

Meeting Christopher at Gamescom along with Nick Witcher from RedBedlam who has made the game put a whole new perspective in to which for me to wax lyrical over. Normally books about video games come in the form of tie-ins or licensed works, with the exception of Ready Player One. Bedlam however is very different. What’s clear about the game is how much the two entities, prose and code, are in tandem. Whilst not necessitating having to read the book before you play or visa versa. But you can of course do both.

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The story behind it is that Nick, a fan of Brookmyre’s work, noticed something in his novel Pandemonium that hinted at Christopher’s history as an appreciator of video games that was the way his characters were organised in to clans, much like first person shooter gaming clans. Nick himself was quite the Counterstrike player so it was quite easy for him to spot. This led to Nick emailing Christopher to ask if he wanted to make a video game. Lots of communications later (and apparently a few ‘creative’ binges between Glasgow and Brighton) an idea was forged.

Christopher’s gaming love came from playing lots of games but this focus was on his first person appreciation of Quake, Quake 2, Unreal and the like. Those fast moving, gameplay driven first person shooters that used to occupy so much of his time in the mid to late 90s… You sense a theme here. The staff at RedBedlam grew up playing games like Doom and Wolfenstein. So you can see where this is heading.

So enough about the history? What about the game? Well it is currently on Steam Early Access with the first two levels available. The first of which you can see on our special preview video coming shortly. It plays like a Quake or an Unreal game. But that is only the first part of this game. The game itself, along with the book has become a homage to the first person shooter genre and especially its history. Whilst you’ll see the first level has the element of that futuristic space shooter it is a lot deeper than that. Plus it is very important to point that this isn’t a port or a clone so to completely create not only a game that can replicate the mid 90s FPS genre but others as well in the same engine and controls, it is incredibly impressive. You can tell the research that went in to playing the games they are inspired by to recapture that feeling was well spent.

There will be many ages of games seen from the first person perspective in Bedlam. Inspired by the likes of Elder Scrolls, Call of Duty and even Pac-Man, the game successfully makes you feel like you are in the games of a certain era. The has to go down to the incredible art direction of the game. The level design and the style of the detail both in the textures and in the weaponry (which is interchangeable between each era) are excellent and really evoke that nostalgia whilst making you enjoy what you are currently playing just as much as any of the games it takes inspiration from.

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Speaking of inspiration, we have to discuss the writing. The game doesn’t take itself too seriously and the dialogue, voiced by BBC comedy Burnistoun’s Kirsty Strain and Robert Florence (along with some extra from Christopher Brookmyre) takes its inspiration from Science Fiction comedy legends such a Doug Naylor and Rob Grant’s Red Dwarf and Douglas Adams’ Hitchhikers Guide stories. There is a very traditional and stoic British humour about it which not only adds to the aura of the game and the tropes of the time they were made, but also adds a great and entertaining story element.

To dismiss Bedlam as a clone of the 90s FPS genre would be a terrible disservice. There is a lot of love that has been put in to creating this game from people that love gaming of all ages and times. It isn’t just a jog down memory lane but a new and welcome addition to the history of the genre that has transported itself across mediums. I can’t wait until it’s finished.

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